{"id":52885,"date":"2011-07-16T05:34:03","date_gmt":"2011-07-16T03:34:03","guid":{"rendered":"http:\/\/www.sorosoro.org\/?p=52885"},"modified":"2025-10-21T22:30:26","modified_gmt":"2025-10-21T20:30:26","slug":"tallyatt-idaght-this-girl-by-moussa-ag-keyna-from-the-band-toumast","status":"publish","type":"post","link":"https:\/\/www.sorosoro.org\/en\/2011\/07\/tallyatt-idaght-this-girl-by-moussa-ag-keyna-from-the-band-toumast\/","title":{"rendered":"Tallyatt Idaght \/ This girl<\/i>, by Moussa Ag Keyna from the band Toumast"},"content":{"rendered":"

Here is a song in Tamasheq<\/strong>, the language of the Tuareg<\/strong><\/p>\n

Toumast was created in the 90s by Moussa Ag Keyna.<\/p>\n

He presents here one of their songs <\/strong>: after The Hawk<\/strong><\/em><\/a> on the nostalgia of life in the desert, this one, Tallyatt Idaght (This Girl)<\/em><\/strong>, is more of a love song.<\/p>\n

The Tuareg were recovering from years of struggle for a better recognition of their rights and culture \u2013 a conflict that officially ended in Mali 1992 and Niger in 1995.<\/p>\n

In the continuity of this struggle, several bands of Tuareg music, also known as Ishumar, were formed. The first one was Tinariwen.<\/p>\n

At the time, resistant Moussa Ag Keyna was severely injured and being evacuated to France. He recorded one first album with Aminatou Goumar, and then a second, evolving around normal life, love, exile, Tuareg struggle and disillusion.<\/p>\n

These bands take up traditional melodic patterns to which they often add more politically involved lyrics on their lifestyle and the call for youth mobilization.<\/p>\n

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Listen to another song in Tamasheq: Innulamane<\/em> (“The Hawk”)<\/a><\/p>\n

Listen to another song in Tamasheq: Kik Ayittma<\/em> (“Hey Brothers!”)<\/a><\/p>\n

Watch all the videos in Tamasheq<\/a><\/p>\n

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<\/embed><\/object><\/p>\n

Image & sound<\/span>: Arnaud Contreras
\nTranslation<\/span>: Moussa Ag Keyna
\nEditing<\/span>: Caroline Laurent<\/p>\n

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More on Toumast: Official website<\/a>, Facebook<\/a>, Myspace<\/a>, Real World Records<\/a>.<\/p>\n

Listen<\/a><\/p>\n

A few pictures<\/a><\/p>\n

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Reminder<\/strong>: Tamasheq (or Tamajeq, or Tamaheq, stemming from the word Tamazight) is spoken by the Tuareg, a nomadic people that has been settled in the desert areas of North Africa for millennia, over a vast territory reaching from Mali to Libya, from Burkina Faso to Algeria, and including Niger. There are around one million speakers of Tamasheq.<\/em><\/p>\n

Like Kabyle, Shawia, or Rifian, Tamasheq is in fact a variant of Berber (or Tamazight), a group of languages that covers the whole of North Africa (Marocco, Algeria, Tunisia, Libya, Egypt, Niger, Mauritania, Mali, and Burkina Faso), not to mention a large diaspora in Europe and America. Total estimations account for over 45 million speakers of Berber languages.<\/em><\/p>\n

One distinctive feature of the Berber language is its writing. An alphabet known as Tifinagh appeared during the first millennium B.C., and despite its disappearing in most of the North where it was replaced by Roman and Arabic alphabets, the Tuareg have been using it ever since. In the second half of the 20th century, a modern version, first created by the Berber Academy and then modified by linguists to reach a standard form that would be suitable to all the idioms, is now widely used in the North and was even formalized in Morocco in 2001. This Alphabet, known as Neo-Tifinagh, while raising enthusiasm in the North, still encounters reluctance among the Tuareg people.<\/em><\/p>\n